{"id":14471,"date":"2017-03-13T14:18:16","date_gmt":"2017-03-13T17:18:16","guid":{"rendered":"http:\/\/iupa.edu.ar\/sitio\/?page_id=14471"},"modified":"2017-08-05T18:37:03","modified_gmt":"2017-08-05T21:37:03","slug":"profesora-universitarioa-de-musica-con-orientacion-en-direccion-orquestal-o-en-composicion","status":"publish","type":"page","link":"https:\/\/iupa.edu.ar\/sitio\/profesora-universitarioa-de-musica-con-orientacion-en-direccion-orquestal-o-en-composicion\/","title":{"rendered":"Profesorado Universitario de M\u00fasica"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\u00a0IDENTIFICACI\u00d3N DE LA CARRERA<\/span><\/td>\n<\/tr>\n
Denominaci\u00f3n de la carrera: Profesorado Universitario de M\u00fasica<\/span><\/p>\n

T\u00edtulo:\u00a0<\/span>Profesor\/a Universitario\/a de M\u00fasica con orientaci\u00f3n en Direcci\u00f3n Orquestal o en Composici\u00f3n<\/span><\/p>\n

Ubicaci\u00f3n: Departamento de M\u00fasica.<\/span><\/p>\n

Descargar plan: PDF<\/a><\/span><\/p>\n

T\u00edtulo con reconocimiento oficial y validez nacional otorgados por Res. Min. de Educ. y Dep. de la Naci\u00f3n N\u00b0 1050\/17<\/td>\n<\/tr>\n

\u00a0ALCANCE DEL T\u00cdTULO<\/span><\/td>\n<\/tr>\n
Los alumnos que se grad\u00faen con este t\u00edtulo podr\u00e1n:<\/span><\/p>\n

– Ejercer la docencia en asignaturas de formaci\u00f3n musical y de su especialidad, as\u00ed como en espacios educativos extracurriculares, en los niveles de educaci\u00f3n inicial, primaria y media en instituciones del sistema educativo formal.
\n– Ejercer la docencia en las asignaturas de su especialidad en instituciones de nivel superior con carreras y asignaturas de formaci\u00f3n musical en niveles de pregrado y grado.
\n– Brindar cursos, seminarios, talleres y otras actividades de promoci\u00f3n de la formaci\u00f3n musical en instituciones y \u00e1mbitos de la educaci\u00f3n no formal.
\n– Prestar asesoramiento profesional y t\u00e9cnico en el \u00e1rea art\u00edstica y musical espec\u00edfica, en actividades relacionadas con la ense\u00f1anza de la direcci\u00f3n orquestal o la composici\u00f3n musical.
\n– Participar en la programaci\u00f3n y coordinaci\u00f3n de actividades art\u00edsticas y musicales.
\nOrientaci\u00f3n en Direcci\u00f3n Orquestal
\n– Dirigir orquestas y conjuntos de diversa conformaci\u00f3n instrumental y vocal-instrumental.
\n– Planificar y programar actividades orquestales (programas, ciclos, temporadas, festivales, etc.).
\nOrientaci\u00f3n en Composici\u00f3n
\n– Componer obras de distintos g\u00e9neros musicales para cualquier tipo de formaci\u00f3n instrumental (incluyendo obras electro-ac\u00fasticas).
\n– Realizar transcripciones, adaptaciones, arreglos y orquestaciones de obras.<\/span><\/p>\n


\n<\/span>
\n<\/span><\/td>\n<\/tr>\n

\u00a0REQUISITOS DE INGRESO<\/span><\/td>\n<\/tr>\n
– Ciclo de nivel medio de la ense\u00f1anza com\u00fan completo. Mayores de 25 a\u00f1os sin t\u00edtulo secundario: cumplir con los requisitos definidos por el Art. 7\u00b0 de la Ley N\u00b0 24.521 y lo establecido por la reglamentaci\u00f3n del IUPA.
\n– Haber cumplimentado el Curso Introductorio Universitario del IUPA.
\n– Haber aprobado el Ciclo Introductorio de Estudios Musicales del IUPA o
\n– Haber aprobado el Curso de Formaci\u00f3n en M\u00fasica (Programa de Extensi\u00f3n Acad\u00e9mica del IUPA).<\/td>\n<\/tr>\n
\u00a0PLAN DE ESTUDIO<\/span><\/td>\n<\/tr>\n
Profesorado Universitario de Musica<\/span><\/td>\n<\/tr>\n
\u00a0<\/span><\/td>\n\u00a0ASIGNATURAS<\/span><\/td>\n\u00a0HS SEMANALES<\/span><\/td>\n1\u00ba CTR<\/span><\/td>\n2\u00ba CTR<\/span><\/td>\nANUAL<\/span><\/td>\nCORRELATIVIDAD<\/span><\/td>\n<\/tr>\n
SEM<\/span><\/td>\nTOT.<\/span><\/td>\n<\/tr>\n
COD<\/span><\/td>\nPRIMER A\u00d1O<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n<\/tr>\n
01<\/span><\/td>\nArmon\u00eda I<\/td>\n4<\/span><\/td>\n64<\/span><\/td>\n\u00a0x<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n—<\/span><\/td>\n<\/tr>\n
02<\/span><\/td>\nArmon\u00eda II<\/td>\n4<\/span><\/td>\n64<\/span><\/td>\n\u00a0<\/span><\/td>\nx<\/span><\/td>\n\u00a0<\/span><\/td>\n01<\/span><\/td>\n<\/tr>\n
03<\/span><\/td>\nAc\u00fastica Musical<\/span><\/td>\n4<\/span><\/td>\n64<\/span><\/td>\nx<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n—<\/span><\/td>\n<\/tr>\n
04<\/span><\/td>\nHistoria de la M\u00fasica I<\/td>\n3<\/span><\/td>\n48<\/span><\/td>\nx<\/td>\n\u00a0<\/span><\/td>\n<\/td>\n\u00a0—<\/span><\/td>\n<\/tr>\n
05<\/span><\/td>\nHistoria de la M\u00fasica II<\/td>\n3<\/span><\/td>\n48<\/span><\/td>\n<\/td>\nx<\/td>\n\u00a0<\/span><\/td>\n04<\/span><\/td>\n<\/tr>\n
06<\/span><\/td>\nTaller Solidaridad y Creatividad<\/td>\n3<\/span><\/td>\n96<\/span><\/td>\n\u00a0<\/span><\/td>\n<\/td>\nx<\/td>\n—<\/span><\/td>\n<\/tr>\n
07<\/span><\/td>\nPsicolog\u00eda<\/td>\n3<\/span><\/td>\n48<\/span><\/td>\nx<\/td>\n<\/td>\n\u00a0<\/span><\/td>\n—<\/span><\/td>\n<\/tr>\n
08<\/span><\/td>\nFilosof\u00eda de la Cultura<\/td>\n3<\/span><\/td>\n48<\/span><\/td>\nx<\/td>\n\u00a0<\/span><\/td>\n<\/td>\n—<\/span><\/td>\n<\/tr>\n
09<\/span><\/td>\nOrquestaci\u00f3n I<\/td>\n2<\/span><\/td>\n64<\/span><\/td>\nx<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n—<\/span><\/td>\n<\/tr>\n
10<\/span><\/td>\nInstrumento Complementario de Arco I<\/td>\n2<\/span><\/td>\n32<\/span><\/td>\nx<\/td>\n<\/td>\n\u00a0<\/span><\/td>\n—<\/span><\/td>\n<\/tr>\n
11<\/span><\/td>\nInstrumento Complementario de Arco II<\/td>\n2<\/span><\/td>\n32<\/span><\/td>\n<\/td>\nx<\/td>\n\u00a0<\/span><\/td>\n10<\/span><\/td>\n<\/tr>\n
 <\/p>\n

12<\/td>\n

Pedagog\u00eda<\/td>\n3<\/span><\/td>\n48<\/span><\/td>\n\u00a0<\/span><\/td>\nx<\/td>\n<\/td>\n—<\/span><\/td>\n<\/tr>\n
13<\/td>\nTaller de Pr\u00e1ctica Docente- Trabajo Docente e Identidad Profesional<\/td>\n2<\/span><\/td>\n32<\/span><\/td>\nx<\/td>\n\u00a0<\/span><\/td>\n<\/td>\n—<\/span><\/td>\n<\/tr>\n
01-1<\/p>\n

o<\/p>\n

01-2<\/td>\n

Materia de Orientaci\u00f3n I: Direcci\u00f3n Coral I (s\u00f3lo orientaci\u00f3n en Direcci\u00f3n Orquestal)<\/p>\n

Composici\u00f3n I (s\u00f3lo orientaci\u00f3n en Composici\u00f3n)<\/td>\n

2<\/span><\/td>\n64<\/span><\/td>\n<\/td>\n<\/td>\nx<\/td>\n—<\/span><\/td>\n<\/tr>\n
02-1<\/p>\n

o<\/p>\n

02-2<\/td>\n

Materia de Orientaci\u00f3n II: Reducci\u00f3n de Partituras Corales al Piano I (s\u00f3lo orientaci\u00f3n en Direcci\u00f3n Orquestal)<\/p>\n

Piano Complementario I (s\u00f3lo orientaci\u00f3n en Composici\u00f3n)<\/td>\n

2<\/span><\/td>\n64<\/span><\/td>\n<\/td>\n<\/td>\nx<\/td>\n—<\/span><\/td>\n<\/tr>\n
\u00a0<\/span><\/td>\nTotal horas reloj \u2013 Orientaci\u00f3n en\u00a0Direcci\u00f3n Orquestal<\/span><\/td>\n25,5<\/span><\/td>\n816<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n<\/tr>\n
\u00a0<\/span><\/td>\nTotal horas reloj \u00a0\u2013 Orientaci\u00f3n en\u00a0Composici\u00f3n<\/span><\/td>\n25,3<\/span><\/td>\n816<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n<\/tr>\n
\u00a0COD<\/span><\/td>\n\u00a0SEGUNDO A\u00d1O<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n<\/tr>\n
14<\/span><\/td>\nArmon\u00eda III<\/td>\n4<\/span><\/td>\n64<\/span><\/td>\nx<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n02<\/span><\/td>\n<\/tr>\n
15<\/span><\/td>\nArmon\u00eda IV<\/td>\n4<\/span><\/td>\n64<\/span><\/td>\n<\/td>\n\u00a0<\/span><\/td>\nx<\/td>\n14<\/span><\/td>\n<\/tr>\n
16<\/span><\/td>\nHistoria de la M\u00fasica III<\/td>\n3<\/span><\/td>\n48<\/span><\/td>\nx<\/td>\n<\/td>\n\u00a0<\/span><\/td>\n05<\/span><\/td>\n<\/tr>\n
17<\/span><\/td>\nHistoria de la M\u00fasica Argentina y Latinoamericana<\/td>\n3<\/span><\/td>\n48<\/span><\/td>\n\u00a0<\/span><\/td>\nx<\/span><\/td>\n\u00a0<\/span><\/td>\n05<\/span><\/td>\n<\/tr>\n
18<\/span><\/td>\nMorfolog\u00eda y An\u00e1lisis I<\/td>\n4<\/span><\/td>\n64<\/span><\/td>\n<\/td>\nx<\/td>\n\u00a0<\/span><\/td>\n—<\/span><\/td>\n<\/tr>\n
19<\/span><\/td>\nHistoria Sociocultural de las Artes I<\/td>\n3<\/span><\/td>\n48<\/span><\/td>\nx<\/td>\n<\/td>\n\u00a0<\/span><\/td>\n—<\/span><\/td>\n<\/tr>\n
20<\/span><\/td>\nHistoria Sociocultural de las Artes II<\/td>\n3<\/span><\/td>\n48<\/span><\/td>\n\u00a0<\/span><\/td>\nx<\/span><\/td>\n\u00a0<\/span><\/td>\n09<\/span><\/td>\n<\/tr>\n
21<\/span><\/td>\nDin\u00e1mica Grupal<\/td>\n2<\/span><\/td>\n32<\/span><\/td>\n\u00a0<\/span><\/td>\nx<\/td>\n<\/td>\n07<\/span><\/td>\n<\/tr>\n
22<\/span><\/td>\nOrquestaci\u00f3n II<\/td>\n2<\/span><\/td>\n64<\/span><\/td>\n<\/td>\n\u00a0<\/span><\/td>\nx<\/td>\n09<\/span><\/td>\n<\/tr>\n
23<\/span><\/td>\nInstrumento Complementario de Percusi\u00f3n<\/td>\n2<\/span><\/td>\n32<\/span><\/td>\nx<\/td>\n<\/td>\n\u00a0<\/span><\/td>\n10<\/span><\/td>\n<\/tr>\n
 <\/p>\n

24<\/td>\n

Instrumento Complementario de Viento: Madera<\/td>\n2<\/span><\/td>\n32<\/span><\/td>\n\u00a0<\/span><\/td>\nx<\/td>\n<\/td>\n—<\/span><\/td>\n<\/tr>\n
25<\/span><\/td>\nDid\u00e1ctica General<\/td>\n3<\/span><\/td>\n48<\/span><\/td>\nx<\/span><\/td>\n<\/td>\n<\/td>\n12<\/span><\/td>\n<\/tr>\n
26<\/span><\/td>\nTaller de Pr\u00e1ctica Docente- Contextos Educativos y\u00a0 Art\u00edsticos<\/td>\n2<\/span><\/td>\n32<\/span><\/td>\n<\/td>\nx<\/td>\n<\/td>\n—<\/span><\/td>\n<\/tr>\n
03-1<\/p>\n

o<\/p>\n

03-2<\/td>\n

Materia de Orientaci\u00f3n III: Direcci\u00f3n Orquestal I (s\u00f3lo orientaci\u00f3n en Direcci\u00f3n Orquestal)<\/p>\n

Composici\u00f3n II (s\u00f3lo orientaci\u00f3n en Composici\u00f3n)<\/td>\n

2<\/td>\n64<\/td>\n<\/td>\n<\/td>\nx<\/td>\n01-2<\/td>\n<\/tr>\n
04-1<\/p>\n

o<\/p>\n

04-2<\/td>\n

Materia de Orientaci\u00f3n IV: Direcci\u00f3n Coral II (s\u00f3lo orientaci\u00f3n en Direcci\u00f3n Orquestal)<\/p>\n

Piano Complementario II (s\u00f3lo orientaci\u00f3n en Composici\u00f3n)<\/td>\n

2<\/td>\n64<\/td>\n<\/td>\n<\/td>\nx<\/td>\n01-1<\/p>\n

 <\/p>\n

02-2<\/td>\n<\/tr>\n

05-1<\/td>\nMateria de Orientaci\u00f3n V: Reducci\u00f3n de Partituras Orquestales al Piano II (s\u00f3lo orientaci\u00f3n en Direcci\u00f3n Orquestal)<\/td>\n2<\/td>\n64<\/td>\n<\/td>\n<\/td>\nx<\/td>\n02-1<\/td>\n<\/tr>\n
\u00a0<\/span><\/td>\nTotal horas reloj \u2013 Orientaci\u00f3n en\u00a0Direcci\u00f3n Orquestal<\/td>\n25,3<\/span><\/td>\n816<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n<\/tr>\n
\u00a0<\/span><\/td>\nTotal horas reloj \u00a0\u2013 Orientaci\u00f3n en\u00a0Composici\u00f3n<\/td>\n25,3<\/span><\/td>\n816<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n<\/tr>\n
\u00a0COD<\/span><\/td>\nTERCER A\u00d1O<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n<\/tr>\n
27<\/span><\/td>\nContrapunto I<\/td>\n4<\/span><\/td>\n64<\/span><\/td>\nx<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n—<\/span><\/td>\n<\/tr>\n
28<\/span><\/td>\nContrapunto II<\/td>\n4<\/span><\/td>\n64<\/span><\/td>\n\u00a0<\/span><\/td>\nx<\/span><\/td>\n\u00a0<\/span><\/td>\n27<\/span><\/td>\n<\/tr>\n
29<\/span><\/td>\nMorfolog\u00eda y An\u00e1lisis II<\/td>\n6<\/span><\/td>\n96<\/span><\/td>\nx<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n18<\/span><\/td>\n<\/tr>\n
30<\/span><\/td>\nMorfolog\u00eda y An\u00e1lisis III<\/span><\/td>\n6<\/span><\/td>\n96<\/span><\/td>\n<\/td>\nx<\/td>\n\u00a0<\/span><\/td>\n29<\/span><\/td>\n<\/tr>\n
31<\/span><\/td>\nInstrumento Complementario de Viento: Metal<\/td>\n2<\/span><\/td>\n32<\/span><\/td>\nx<\/td>\n\u00a0<\/span><\/td>\n<\/td>\n—<\/span><\/td>\n<\/tr>\n
32<\/span><\/td>\nOrquestaci\u00f3n III<\/td>\n2<\/span><\/td>\n64<\/span><\/td>\n<\/td>\n\u00a0<\/span><\/td>\nx<\/td>\n22<\/span><\/td>\n<\/tr>\n
33<\/span><\/td>\nFilosof\u00eda del Arte<\/td>\n3<\/span><\/td>\n48<\/span><\/td>\nx<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n08<\/span><\/td>\n<\/tr>\n
34<\/span><\/td>\nSeminario Culturas Infantiles y Juveniles<\/td>\n2<\/span><\/td>\n32<\/span><\/td>\nx<\/td>\n<\/td>\n\u00a0<\/span><\/td>\n—<\/span><\/td>\n<\/tr>\n
35<\/span><\/td>\nTaller Educaci\u00f3n Mediada por Tecnolog\u00edas<\/td>\n2<\/span><\/td>\n32<\/span><\/td>\n\u00a0<\/span><\/td>\nx<\/td>\n<\/td>\n—<\/span><\/td>\n<\/tr>\n
 <\/p>\n

36<\/td>\n

Taller de Pr\u00e1ctica Docente en el Nivel Inicial y Primario<\/td>\n2<\/span><\/td>\n64<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\nx<\/span><\/td>\n01 a 26<\/td>\n<\/tr>\n
06-1<\/p>\n

o<\/p>\n

05-2<\/td>\n

Materia de Orientaci\u00f3n VI: Direcci\u00f3n Orquestal II (s\u00f3lo orientaci\u00f3n en Direcci\u00f3n Orquestal)<\/p>\n

Composici\u00f3n III (s\u00f3lo orientaci\u00f3n en Composici\u00f3n)<\/td>\n

2<\/span><\/td>\n64<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\nx<\/span><\/td>\n03-1<\/p>\n

 <\/p>\n

03-2<\/td>\n<\/tr>\n

\u00a0<\/span><\/td>\nTotal horas reloj \u2013 Orientaci\u00f3n en\u00a0Direcci\u00f3n Orquestal<\/td>\n20,3<\/span><\/td>\n656<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n<\/tr>\n
\u00a0<\/span><\/td>\nTotal horas reloj \u00a0\u2013 Orientaci\u00f3n en\u00a0Composici\u00f3n<\/td>\n20,3<\/span><\/td>\n656<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n<\/tr>\n
\u00a0COD<\/span><\/td>\nCUARTO A\u00d1O<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n<\/tr>\n
37<\/span><\/td>\nMorfolog\u00eda y An\u00e1lisis IV<\/td>\n3<\/span><\/td>\n96<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\nX<\/span><\/td>\n <\/p>\n

30<\/td>\n<\/tr>\n

38<\/span><\/td>\nOrquestaci\u00f3n IV<\/td>\n2<\/span><\/td>\n64<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\nx<\/span><\/td>\n32<\/span><\/td>\n<\/tr>\n
39<\/td>\nContrapunto III<\/td>\n2<\/span><\/td>\n64<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\nx<\/span><\/td>\n28<\/td>\n<\/tr>\n
40<\/span><\/td>\nTaller de Pr\u00e1ctica Docente en el Nivel Medio y Superior<\/td>\n2<\/span><\/td>\n64<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\nx<\/span><\/td>\n36<\/span><\/td>\n<\/tr>\n
 <\/p>\n

07-1<\/p>\n

o<\/p>\n

06-2<\/td>\n

Materia de Orientaci\u00f3n VII: Direcci\u00f3n Orquestal III (s\u00f3lo orientaci\u00f3n en Direcci\u00f3n Orquestal)<\/p>\n

Composici\u00f3n IV (s\u00f3lo orientaci\u00f3n en Composici\u00f3n)<\/td>\n

2<\/span><\/td>\n64<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\nx<\/span><\/td>\n06-1<\/p>\n

 <\/p>\n

05-2<\/td>\n<\/tr>\n

08-1<\/p>\n

o<\/p>\n

07-2<\/td>\n

Materia de Orientaci\u00f3n VIII: Did\u00e1ctica Espec\u00edfica (s\u00f3lo orientaci\u00f3n en Direcci\u00f3n Orquestal)<\/p>\n

Did\u00e1ctica Espec\u00edfica (s\u00f3lo orientaci\u00f3n en Composici\u00f3n)<\/td>\n

2<\/span><\/td>\n64<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\nx<\/span><\/td>\n25<\/p>\n

 <\/p>\n

 <\/p>\n

25<\/td>\n<\/tr>\n

\u00a0<\/span><\/td>\nTotal horas reloj \u2013 Orientaci\u00f3n en\u00a0Direcci\u00f3n Orquestal<\/td>\n13<\/span><\/td>\n416<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n<\/tr>\n
\u00a0<\/span><\/td>\nTotal horas reloj \u00a0\u2013 Orientaci\u00f3n en\u00a0Composici\u00f3n<\/td>\n13<\/span><\/td>\n416<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n<\/tr>\n
COD<\/span><\/td>\nQUINTO A\u00d1O<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n<\/tr>\n
41<\/span><\/td>\nResidencia Docente<\/td>\n8<\/span><\/td>\n256<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\nx<\/span><\/td>\n01 a 40<\/p>\n

08-1<\/p>\n

07-2<\/td>\n<\/tr>\n

09-1<\/p>\n

o<\/p>\n

08-2<\/td>\n

Materia de Orientaci\u00f3n IX: Direcci\u00f3n Orquestal IV (s\u00f3lo orientaci\u00f3n en Direcci\u00f3n Orquestal)<\/p>\n

Composici\u00f3n V (s\u00f3lo orientaci\u00f3n en Composici\u00f3n)<\/td>\n

3<\/span><\/td>\n96<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\nx<\/span><\/td>\n07-1<\/p>\n

 <\/p>\n

06-2<\/td>\n<\/tr>\n

09-2<\/td>\nMateria de Orientaci\u00f3n V: Composici\u00f3n con Medios Electr\u00f3nicos\u00a0 (s\u00f3lo orientaci\u00f3n en Composici\u00f3n)<\/td>\n2<\/span><\/td>\n64<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\nx<\/span><\/td>\n06-2<\/td>\n<\/tr>\n
\u00a0<\/span><\/td>\nTotal horas reloj \u2013 Orientaci\u00f3n en\u00a0Direcci\u00f3n Orquestal<\/td>\n11<\/span><\/td>\n352<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n<\/tr>\n
\u00a0<\/span><\/td>\nTotal horas reloj \u00a0\u2013 Orientaci\u00f3n en\u00a0Composici\u00f3n<\/td>\n13<\/span><\/td>\n416<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n<\/tr>\n
42<\/span><\/td>\nHoras de asignaci\u00f3n libre<\/span><\/td>\n\u00a0<\/span><\/td>\n200<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n<\/tr>\n
\u00a0<\/span><\/td>\nCarga horaria total de la carrera<\/span><\/td>\n\u00a0<\/span><\/td>\n3256<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Aprobado por Resoluci\u00f3n Rectoral IUPA N\u00b0 1082\/15 y 050\/16 y t\u00edtulo con reconocimiento oficial y validez nacional otorgados por
\nRes. Ministerio de Educaci\u00f3n y Deportes de la Naci\u00f3n N\u00b0 1050\/17<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0IDENTIFICACI\u00d3N DE LA CARRERA Denominaci\u00f3n de la carrera: Profesorado Universitario de M\u00fasica T\u00edtulo:\u00a0Profesor\/a Universitario\/a de M\u00fasica con orientaci\u00f3n en Direcci\u00f3n Orquestal o en Composici\u00f3n Ubicaci\u00f3n: Departamento de M\u00fasica. Descargar plan: PDF T\u00edtulo con reconocimiento oficial y validez nacional otorgados por Res. Min. de Educ. y Dep. de la Naci\u00f3n N\u00b0 1050\/17 \u00a0ALCANCE DEL T\u00cdTULO Los […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","footnotes":""},"acf":[],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"post-thumbnail":false,"category-thumb":false},"uagb_author_info":{"display_name":"Marcelo Vidal","author_link":"https:\/\/iupa.edu.ar\/sitio\/author\/marcelo\/"},"uagb_comment_info":0,"uagb_excerpt":"\u00a0IDENTIFICACI\u00d3N DE LA CARRERA Denominaci\u00f3n de la carrera: Profesorado Universitario de M\u00fasica T\u00edtulo:\u00a0Profesor\/a Universitario\/a de M\u00fasica con orientaci\u00f3n en Direcci\u00f3n Orquestal o en Composici\u00f3n Ubicaci\u00f3n: Departamento de M\u00fasica. Descargar plan: PDF T\u00edtulo con reconocimiento oficial y validez nacional otorgados por Res. Min. de Educ. y Dep. de la Naci\u00f3n N\u00b0 1050\/17 \u00a0ALCANCE DEL T\u00cdTULO Los…","_links":{"self":[{"href":"https:\/\/iupa.edu.ar\/sitio\/wp-json\/wp\/v2\/pages\/14471"}],"collection":[{"href":"https:\/\/iupa.edu.ar\/sitio\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/iupa.edu.ar\/sitio\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/iupa.edu.ar\/sitio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/iupa.edu.ar\/sitio\/wp-json\/wp\/v2\/comments?post=14471"}],"version-history":[{"count":0,"href":"https:\/\/iupa.edu.ar\/sitio\/wp-json\/wp\/v2\/pages\/14471\/revisions"}],"wp:attachment":[{"href":"https:\/\/iupa.edu.ar\/sitio\/wp-json\/wp\/v2\/media?parent=14471"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}